There's an element of reality lacking from even the most atmospheric video games. As a survival horror buff, I take masochistic pleasure in waiting until the sun slinks away for the night before turning off all the lights, drawing the blinds, slipping on headphones, and creeping through old mansions and other haunted grounds.
But for as fast as my pulse races during such excursions, I can't forget that I am ultimately safe and sound in my apartment, furnace or air conditioning chugging along, my thumbs twiddling instead of scratching desperately at a locked door to get away from some grotesque beast. Affliction: Zombie Rising [Free] aims to rip you out of your comfort zone by introducing a level of immersion not often seen in video games, much less mobile ones.
It’s no secret that we’ve been, on occasion, distracted by a certain action-RPG of late. Heroes Call [Free], the latest from Defiant Development (which brought you Ski Safari [$0.99]) looks to capture some of the magic with an iOS dungeon crawler infused with its own brand of freemium elements. While I didn’t particularly have a problem with its freemium mechanics, Heroes Call does falter somewhat in other areas.
From a glance, Heroes Call plays very much like a standard hack n’ slash action RPG. Players move through the game via levels with simple objectives such as standard collection quest or by simply getting from one point of the map to the other. Along the way, enemies drop gold and a large variety of weapons and armor. After finishing a mission, characters earn experience, and a simple trait system lets you choose new abilities after each level up. Everything is rather typical and it wouldn’t be a stretch to simply classify Heroes Call as a simplistic Diablo clone.
The success of the digital version of a physical board game hinges on three things: the quality of the base game, the accuracy of the representation of said game and if both of these things are pulled off well enough to sustain a community long after you’ve tired of getting beaten by friends and family. With that in mind, is Scotland Yard [$5.99] a successful iOS port of a classic board game? No, but it could be.
It’s not as if Ravensburger’s Scotland Yard, the 1983 Spiel des Jahres recipient, isn’t fundamentally sound. One player is Mr. X, terribly creative criminal mastermind, stealthily darting about London in an attempt to avoid the grasp of five Scotland Yard investigators, represented by the other players. Players move about via ticket cards allowing access to modes of transportation around the game map: taxis, buses, boats or the London Underground.
It seems as if ever since the iOS remake of Death Rally [$0.99] hit the scene over a year ago, we’ve had a resurgence of weapons-based racing titles gracing the platform. Deadmans Run [$0.99] from Nightfall Interactive is another entry into the genre and attempts to model itself somewhat closely to Death Rally. While Deadmans Run does try to differentiate itself from the pack in some ways, you’re mostly left with a fairly average racer with controls that leave a bit to be desired.
Deadmans Run offers a somewhat comprehensive campaign that has you racing across nine different levels across three “difficulty” levels, earning both cash and notoriety (essentially experience points). The cash is used to purchase permanent (engine, weapons, and armor) and temporary upgrades for your vehicles while the notoriety acts as a level-wall that restricts upgrades and car purchases until you've hit a certain level. Overall, the system works well enough for replayability, although the strict level requirements for each purchase take away any sense of freedom, which is a bit disappointing.
Simplistic controls are a staple in creating a competent iOS game these days, seeing as how Angry Birds [$0.99] soared to heights never expected, in part due to its easy pick-up and play format that anyone can enjoy.
While This Could Hurt [$0.99] capitalizes on this trend, it’s nearly to a fault to where the game is almost too much on autopilot, leaving you yearning for more control of your fate in the long run.
In This Could Hurt, your main goal is to get to the end of a winding path, avoiding any and all of the obstacles along the way. You’ll have to dodge spikes, fire holes, shooting darts and more. Your only control when it comes to not being hit by these obstacles is when your character stops, as he will continue on down the path automatically otherwise.
Robbery Bob [Free] has moments where you can tell it was designed by someone who cares. I'm not implying that that is a rarity, but you do rarely see the level of care that portions of Robbery Bob exhibits. Unfortunately though, those portions are few and far between, and what is in between is, well... Uninteresting.
But I'm getting ahead of myself.
Robbery Bob's premise is simple: sneak into houses, steal items of value, leave without getting caught. There is a thin narrative wrapped around these acts, but this isn't a game about story, it's a game about the sneaking mechanic. And it is that mechanic that the game lives or, more often, dies on. Things start off real strong. Sneaking around the first few houses shows off a lot of the potential for the mechanic, but the game soon devolves into a repetitive room-by-room hunt with obstacles sprinkled haphazardly around. But, again, I'm getting ahead of myself.
Sneaking into a house is easy, the front door almost certainly is unlocked, and once inside Bob has to assess any potential threats to his mission (taking care to avoid them.). "Threats" can include dogs, cameras, old ladies, other humans, and, most importantly, the police. Luckily for Bob, there are ways to avoid these threats. Unluckily, for you they are almost all a pain to use. The methods for avoiding detection range from mundane (hiding in a planter) to the interesting (leaving doors open to pull patrolling inhabitants off their path). Each one of these methods of avoidance are fun, if not a little frustrating the first couple times, but they show their one dimension-ness and tedium by the eighth or ninth time you employ them.
While playing Robbery Bob, I couldn't help but think about Shaun Inman's brilliant The Last Rocket [$1.99]. Inman, like the team at Level Eight, had to stretch a simple mechanic over 60+ levels, while keeping it interesting the whole time. He succeeded by not only developing interesting level mechanics, but also by weaving those mechanics together. If you'll forgive those cliche, by the end of The Last Rocket, you had a veritable symphony of mechanics woven together beautifully. Robbery Rob goes half way in that endeavor. The mechanics themselves are interesting (seeing, for the first time, the way a camera interacts with open doorways was what inspired the review's opening sentence), but when those mechanics are just dropped into the level without context, they lose almost everything they have going for them. They don't work together, they don't play off each other, they exist only as a standalone obstacle, forgotten as soon as you pass them and move into the next room.
Again thinking of The Last Rocket, another thing it did so well was instilling the notion that once you figure out the puzzle, you could move through it with nothing but grace and ease. Unfortunately, Robbery Bob never seems to get to that point, and therefore you never feel like you could replicate a victory. The last levels of any particular area (of which there are 3) feel like a crap shoot with your victory being tied more to chance than to skill. I, just now in fact, went back to try and finish the last level of the first area again and failed 3 times before I was able to do it.
While the game offers plenty of gameplay for the price, including encouraging you to go back and perfect all the levels (ala Angry Birds), it never hooks you like a game of that ilk should. It is a game where the potential is sky high, but you feel like the game itself stayed on the ground, only looking up every now and again. It fails to make a promising mechanic interesting.
Robbery Bob isn't bad by any stretch of the imagination, it just isn't good.
Aby Escape [Free] is the newest freemium title from BulkyPix and Pixel Ratio, and a 3D spin on the iphone's popular runner genre. Instead of dashing full speed to the left or right sidescroller style, the game plants the camera just behind Aby's back and leaves it to you to guide the terrified raccoon down paths cluttered with rocks, cars, animal herds, beer-bellied hicks who lie in wait until you approach, and other obstacles.
To keep your unstoppable force from running smack-dab into immovable objects, you tilt your phone to weave side to side, swipe your thumb up the screen to jump, and swipe downwards to drop to your knees and pull off a Catwoman-in-Arkham-City slide, minus revealing cleavage. (Yeah, I know. Can't have it all, though.) The core gameplay idea is reminiscent of Temple Run [Free], but Aby Escape does a nice job at iterating on the formula with some new ideas and some variety.
Late last week Capcom surprised everybody by announcing an iOS port of their classic arcade fighter Marvel Vs. Capcom 2 [$4.99]. In all honesty, I suspect this was a cleverly timed release to casually tie in with 'The Avengers' movie coming out next week, but whatever the motivation I’m not complaining. Marvel Vs. Capcom 2 is one of the most beloved fighting games in history, and prior to the downloadable rerelease on XBL and PSN in 2009 it could be kind of a difficult game to play unless you owned the Dreamcast or the somewhat rare PS2 or Xbox versions.
With that said it’s fairly mind blowing then that today you can download the entire original game onto a device that fits snugly in your pocket (or to your iPad if you’d rather, since the game is Universal, though it’s extra snug trying to jam that in your pocket). The iOS version of Marvel Vs. Capcom 2 is really cool for what it is, basically a cheap nostalgic trip, but it’s plagued with several major problems that drag the experience down, making it feel more like a novelty rather than another solid iOS fighter.
The major sticking points in Marvel Vs. Capcom 2 are that it’s difficult to control compared to the other top iOS fighters, the 12 year old visuals have not aged gracefully, and the overall performance leaves a lot to be desired. However, the virtual control setup that Capcom has come up with for the game is pretty clever, and just having a classic like Marvel Vs. Capcom 2 in my pocket is worth putting up with its shortcomings. It’s just a shame because with a little more care I think this port could have been a whole lot better.
Being a fan of Diablo-style loot grinds, I was pretty excited to try DevilDark: The Fallen Kingdom [$0.99], Triniti Interactive’s take on the classic dungeon hack and slash. For the most part, DevilDark actually does a good job recreating the experience with nice visuals and a decent amount of weapons and armor. Unfortunately, simplistic gameplay combined with some general miscues hold the title back from stardom.
DevilDark follows the story of a wandering (and clueless) adventurer that sets out on a journey to save the world from being ravaged by an evil demon, who had been unleashed by a power-hungry king years beforehand. You’ll slowly accomplish this by doing a bunch of quests that involve fetching items and taking down hordes of baddies. An occasional boss battle permeates the monotony, but for the most part, DevilDark stays close to its dungeon crawling roots. While I realize that narrative may not be the priority in such a game, I would have liked something more than the intro cutscene and what little I can glean from quest texts.
Ion Racer [$0.99] from Nawia Games (makers of Flick Champions) is an endless tunnel runner with a visual style that looks suspiciously like Wipeout (a franchise we’d love to see on iOS). Unfortunately, any similarities with the futuristic racer are skin-deep, as Ion Racer stays close to its roots, offering a score-based reflex-oriented endless gameplay experience. Unfortunately, gameplay stagnation, a somewhat heavy reliance on IAP, and some minor control issues hold this title back.
Like most 'endless' games, gameplay in Ion Racer is score-based. Players guide their ship along a never-ending corridor filled with blue and red barriers along with small orbs called ions. Running into red barriers takes away a bar of shield strength, and if you lose your entire shield, the run ends. Blue barriers, meanwhile, offer additional points or shield bars and should be hit as much as possible. Ions serve as a perpetual source of points and energy to refill your energy meter.
There are some games that try to impress by offering a well-rounded gameplay experience. Others meanwhile try to latch onto one or two key elements and hope that it’s enough to make up for other potential shortfalls. Violet Storm [$0.99 / HD] squarely falls into the second camp. While the dual-stick shooter impresses somewhat with its take on weapons and visual overstimulation, it may not be enough to overcome the otherwise generic gameplay and presentation.
As a dual-stick shooter, Violet Storm plays it safe with its gameplay offerings. Players have a choice of three different single-player modes: Sniper Mode, which is a timed run scored by accuracy, Speed Havoc, which challenges gamers to destroy a set amount of enemies as fast as possible, and Campaign.
One of my favorite aspects about iOS gaming is being able to check out games that are so outlandish in design that they probably wouldn’t be made on any other platform. Dreamy Goat [$0.99] is one such game, telling the tale of Goat as he wanders from dream to dream eating random items and jumping on dream entities.
With trippy visuals and catchy tunes, Dreamy Goat is a short but intense experience for gamers willing to forego traditional gameplay for something different.
I have to admit, I wasn’t sure what to think about Picnic Wars [$0.99 / HD], a castle crusher showcasing the epic feud between vegetables and fruits (which somehow takes place during a picnic). Yet, despite the absurd story, what follows is a decent take on the genre with a good amount of gameplay variety that unfortunately suffers from a lack of content.
In Picnic Wars, you take the role of either fruits or veggies as they seek to destroy the fortresses of the other. You accomplish this by flinging various units at the castles, causing as much mayhem and destruction as possible. Truthfully, I have no idea what picnics have to do with the story, but seeing how zany the concept is I didn’t bother thinking about it.
Depending on how much you relish your DotA (If the acronym made you raise a puzzled eyebrow, don't worry. We'll get into all that shortly), you may either find Plants War [Free] an unexpected treat or a moderately competent RTS. It could go either way. Best described as a heavily diluted, single-player version of the world's favorite Warcraft III mod, Plants War will have you leading Dryad Forest's local vegetation in a struggle against some encroaching… animals? Global warming definitely screwed up the environment here.
Gameplay-wise, Plants War – Gamevil's latest freemium title – works something like this. Before you begin each stage, you'll be asked to elect an upgradable hero (the first you get for free, the others you'll have to earn through extensive grinding or buy as an in-app purchase). After that, you'll be at liberty to select the troops you want to deploy in the upcoming onslaught. Yet again, only the first one comes free.
Flight Control Rocket [$.99] is beautiful. The art is pyrotechnic: the groovy colors are sharp and detailed, betraying no fuzz, gloom, or jagged edges on the new iPad. Even the menus have flair. Created intricately to reflect the swinging sci-fi themes that the rest of the game is so gleefully entrenched in, they're a pleasure to plumb. The on-screen antics feel just as good, as Firemint has iterated on the core design in really fresh ways. But, it's a shame that all of this is wrapped in the stench of corporate influence. Some of the most interesting additions to the core play model are rendered meaningless courtesy clumsily handled free-to-play functionality.
The sci-fi influence, outside of the slicker and more vibrant visual appeal, is just a fun contrivance to push the series' usual conceit: take a ship, plot a course, and then repeat until the screen is so full of ships, that it becomes impossible to not avoid a mid-space collision. New features include a fascinating variety of ships with abilities, all of which refreshingly change up the pacing. There's 15 new ships in total, including a snake-like series of ships that coils as you move it, a ship that splits into two, and even a new drop-ship type that spits out smaller ships into the playing area.
There's an element of reality lacking from even the most atmospheric video games. As a survival horror buff, I take masochistic pleasure in waiting until the sun slinks away for the night before turning off all the lights, drawing the blinds, slipping on headphones, and creeping through old mansions and other haunted grounds.
